E125 | Expection (Anime series)
This sci-fi vignette sets the stage for one of the most original tales we’ve seen from the genre in some time. It’s straight from the pages of your favorite classic science fiction dime store novel, and it revels in its weirdness. Just when you think you know what’s going to happen, it blindsides you with something you weren’t expecting.
For instance, it’s easy to assume that the ship’s crew was recreated because the original humans died, but the additional wrinkle that their real selves are alive has disturbing implications. Are these living, breathing people going to die when the migrant ship arrives at their intended new planet? What is life and who is allowed to decide where a clone may live? These are heady questions that Exception introduces, but doesn’t force on the audience – they will be in the back of your mind as it progresses, however.
Further, Exception is a visually arresting feast. It may not look anything like what you’re used to from the anime world, but it’s a treat for the eyes and steeped in nontraditional design. Everything about Exception is otherworldly, from top to bottom. Most of that is due to legendary character designer Yoshitaka Amano, who was responsible for bringing the cast to life, but there’s an unsettling eerieness that permeates just about every part of the series.
It’s a fun kind of weird that we don’t see enough of in Western or anime series, and I’m thrilled to see that no punches were pulled bringing this story to fruition.
This sci-fi vignette sets the stage for one of the most original tales we’ve seen from the genre in some time. It’s straight from the pages of your favorite classic science fiction dime store novel, and it revels in its weirdness. Just when you think you know what’s going to happen, it blindsides you with something you weren’t expecting.
For instance, it’s easy to assume that the ship’s crew was recreated because the original humans died, but the additional wrinkle that their real selves are alive has disturbing implications. Are these living, breathing people going to die when the migrant ship arrives at their intended new planet? What is life and who is allowed to decide where a clone may live? These are heady questions that Exception introduces, but doesn’t force on the audience – they will be in the back of your mind as it progresses, however.
Further, Exception is a visually arresting feast. It may not look anything like what you’re used to from the anime world, but it’s a treat for the eyes and steeped in nontraditional design. Everything about Exception is otherworldly, from top to bottom. Most of that is due to legendary character designer Yoshitaka Amano, who was responsible for bringing the cast to life, but there’s an unsettling eerieness that permeates just about every part of the series.
It’s a fun kind of weird that we don’t see enough of in Western or anime series, and I’m thrilled to see that no punches were pulled bringing this story to fruition.
In the distant future, humanity has been forced out of its home on Earth. The entire population must move to a different star system, one where there’s a planet suitable for terraforming. The crew has been recreated from what were apparently living, breathing human beings prior to their journey through space.
Their new bodies, created using a biological 3D printer called The Womb, retain the memories and DNA of their former selves, but neither Nina (Ali Hillis) nor Mack (Robbie Daymond) are under the delusion that they’re the “same” people they were when their memories were backed up, only recreations. The similarities are impeccable though, and crewmate Oscar (Eugene Byrd) is especially impressed with his new body as his cavities are gone.
The crew is headed to Planet X-10 on a journey that’s taken about a week to get started, but it will end up taking much more time to complete the overall mission. Interestingly enough, the crew’s “real selves” are traveling on a migrant vessel from Earth in cryosleep while their copies work away on the spaceship. One by one, the crew members are recreated: Nina, Mack, Oscar, Patty (Nadine Nicole), and then Lewis (Nolan North).
While Lewis is in the middle of being printed, the ship runs into a devastating solar flare that interrupts the printing process and causes a few problems. When everything is all said and done, it’s revealed that the system malfunction has caused the final member, Lewis, to come out disfigured. The crew must decide whether to euthanize him and start over for the good of the mission, or cultivate new cells and contend with Lewis the way he is…until things go south.
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